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I'm leaving, but where to?

Current exhibition

I'm going, but where to?

Welcome to the opening exhibition of the Paulus Museum. Our namesake is Saint Paul, the patron saint of our cathedral and diocese. He plays a significant role for the cathedral and for the city of Münster. In Germany, Münster Cathedral is the only bishop's church whose sole patron is the Apostle Paul.

Duration

27 August 2026 – 30 May 2027

Location

Alter Steinweg 3, 48143 Münster

Admission

free

Guided tours and workshops available for a fee

Opening hours

Mon–Sat, 12 noon–6 pm

By arrangement for groups from 10 am

Closed on Sundays and public holidays
closed on 22 September 2026

Chapter Overview / Tour

PAULUSKOPF VOM ST.-PAULUS-DOM Münster, um 1235, Foto: privat
PAULUSKOPF VOM ST.-PAULUS-DOM Münster, um 1235, Foto: privat

Prologue

In seven sections of the exhibition, we therefore focus on the Apostle Paul (*born before 10 AD in Tarsus, Cilicia; †after 60 AD, presumably in Rome). He is one of the most important early Christian missionaries, even though he never met Jesus during his lifetime. We explain who Paul was, what he believed, and how his influence continues to this day.

Paul and the early followers of Jesus Christ did not see themselves as representatives of a new religion. They regarded themselves as part of a new movement within Judaism. The term ‘Christians’ was already in use at that time in Antioch (now Antakya, Turkey). It can be translated as ‘followers of the Christ (the Anointed One)’.

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DER EVANGELIST LUKAS, Hermann tom Ring Öl auf Eichenholz, 1574 Bistum Münster, Katholische Kirchengemeinde Liebfrauen-Überwasser (Dauerleihgabe im LWL-Museum für Kunst und Kultur, Münster, Inv.-Nr. 931 LG), Photo:Sabine Ahlbrand-Dornseif
DER EVANGELIST LUKAS, Hermann tom Ring Öl auf Eichenholz, 1574 Bistum Münster, Katholische Kirchengemeinde Liebfrauen-Überwasser (Dauerleihgabe im LWL-Museum für Kunst und Kultur, Münster, Inv.-Nr. 931 LG), Photo:Sabine Ahlbrand-Dornseif

Chapter 1 – Luke and the Apostles

The life of Jesus is recorded in four accounts: the Gospels. All the Gospels mention a special circle of people who accompanied Jesus. This circle consists of twelve men, the Apostles. Jesus chose them from among a larger group of disciples. Paul was not one of them.

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Pluviale des Fürstbischofs Erich I. von Sachen-Lauenburg, Gewandstoff Anfang 16. Jahrhundert, Besätze nach 1510, Inv. Nr. U.90, ©St.-Paulus-Dom 2026, Domverwaltung, Foto: Dr. Michael Reuter
Pluviale des Fürstbischofs Erich I. von Sachen-Lauenburg, Gewandstoff Anfang 16. Jahrhundert, Besätze nach 1510, Inv. Nr. U.90, ©St.-Paulus-Dom 2026, Domverwaltung, Foto: Dr. Michael Reuter
GLASFRAGMENT MIT JUGENDLICHEM PAULUS, 5. Jahrhundert n. Chr., Glas/Schliffglas, Archäologisches Museum der Universität Münster, Inv.-Nr. 2476, © Archäologisches Museum der Universität Münster, Photo: Robert Dylka
GLASFRAGMENT MIT JUGENDLICHEM PAULUS, 5. Jahrhundert n. Chr., Glas/Schliffglas, Archäologisches Museum der Universität Münster, Inv.-Nr. 2476, © Archäologisches Museum der Universität Münster, Photo: Robert Dylka

Chapter 2 – My Early Years

The main source of information about Paul’s life is the Acts of the Apostles. According to this account, Paul came from Tarsus, a trading and port city in what is now Turkey. With a population of 300,000, it was roughly the same size as present-day Münster. Tarsus was the capital of a Roman province. Cultural influences came from Greece and the Near East. The author Strabo (c. 63 BC – after 23 AD) highlights the high level of education and the role of philosophy and rhetoric in the city.

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OHNE TITEL (PAULUSSTURZ), Francois Ragot, nach Peter Paul Rubens, zwischen 1648–1657, Kupferstich, Domschatz Münster, Inv.-Nr. Gr.083, Photo: Dr. Michael Reuter
OHNE TITEL (PAULUSSTURZ), Francois Ragot, nach Peter Paul Rubens, zwischen 1648–1657, Kupferstich, Domschatz Münster, Inv.-Nr. Gr.083, Photo: Dr. Michael Reuter

Chapter 3 – Damascus: A turning point in my life

Paul is travelling with a retinue from Jerusalem to Damascus. Following the death of Stephen, he intends to persecute the followers of Christ there. Suddenly, he is blinded by a dazzling light. He falls to the ground and hears a voice that engages him in a dialogue: ‘Saul, Saul, why are you persecuting me?’ – ‘Who are you, Lord?’ – “I am Jesus, whom you are persecuting.” (Acts 9:4–5). Thereupon, the blinded Paul is led to Damascus. He meets a man named Ananias. Ananias also has a vision and is sent to Paul by the voice of Jesus. Ananias lays his hands on Paul, whereupon Paul regains his sight.

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Chapter 4 – I’m going …

How do you set off when you don’t yet know your destination? How do you find your bearings when your life as you knew it has been turned upside down? And how does an experience become a new beginning?

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LARISSA, TRIOBOL Silbermünze „Persischer Münzfuß“ | Larissa (Griechenland), ca. 500–479 v. Chr. | Ruhr-Universität Bochum, Münzsammlung, Inv.-Nr. M 1159
LARISSA, TRIOBOL Silbermünze „Persischer Münzfuß“ | Larissa (Griechenland), ca. 500–479 v. Chr. | Ruhr-Universität Bochum, Münzsammlung, Inv.-Nr. M 1159
LARISSA, TRIOBOL Silbermünze „Persischer Münzfuß“ | Larissa (Griechenland), ca. 500–479 v. Chr. | Ruhr-Universität Bochum, Münzsammlung, Inv.-Nr. M 1159
LARISSA, TRIOBOL Silbermünze „Persischer Münzfuß“ | Larissa (Griechenland), ca. 500–479 v. Chr. | Ruhr-Universität Bochum, Münzsammlung, Inv.-Nr. M 1159

... my ways

Paul’s calling marks the beginning of a new chapter in his life.

Together with Barnabas, he is sent out by the church in Antioch. From there, he sets out on three major missionary journeys.

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PAULUS TADELT PETRUS, Angelica Kauffmann, nach Guido Reni, um 1776, Kupferstich, Domschatz Münster, Inv.-Nr. Gr.085, Photo: Dr. Michael Reuter
PAULUS TADELT PETRUS, Angelica Kauffmann, nach Guido Reni, um 1776, Kupferstich, Domschatz Münster, Inv.-Nr. Gr.085, Photo: Dr. Michael Reuter

… and proclaim the message

Paul played a decisive role in the spread of the Christian movement. During his missionary work, he proclaimed an idea that was groundbreaking at the time: faith in Christ is open to all people. No one should be excluded on the basis of their background, language or religious tradition.

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… TOWARDS MY FULFILLMENT

Paul returns to Jerusalem on his third missionary journey. There he becomes embroiled in a serious conflict and is arrested. He is accused of unlawfully bringing a non-Jew into the Temple. As a Roman citizen, Paul asserts his right to have the case brought before the Emperor.

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O. T. (ANDRIES VAN EERVELT), Volker Hermes, 2024, Acryl, Edding und div. Graffitimarker auf Nessel, im Besitz des Künstlers
O. T. (ANDRIES VAN EERVELT), Volker Hermes, 2024, Acryl, Edding und div. Graffitimarker auf Nessel, im Besitz des Künstlers
PHÖBE BEI PAULUS, Dietenberger Bibel, 1534 Bibelmuseum der Universität Münster, Dauerleihgabe
PHÖBE BEI PAULUS, Dietenberger Bibel, 1534 Bibelmuseum der Universität Münster, Dauerleihgabe

Chapter 5 – My language and its impact

Paul is not a lone preacher. He is part of a network and, at the same time, its driving force. Some people accompany him on his journeys, whilst others support him locally. His message spreads over great distances. It reaches towns and communities across a wide variety of cultures..

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PERSONAL MATTER A.1, Katarina Kloppe, 2026 Textilien; Garn; Schreibmaschinentinte; Permanentmarker Im Besitz der Künstlerin, Photo: Katharina Kloppe
PERSONAL MATTER A.1, Katarina Kloppe, 2026 Textilien; Garn; Schreibmaschinentinte; Permanentmarker Im Besitz der Künstlerin, Photo: Katharina Kloppe
PERSONAL MATTER A.1, Katarina Kloppe, 2026 Textilien; Garn; Schreibmaschinentinte; Permanentmarker Im Besitz der Künstlerin, Photo: Katharina Kloppe
PERSONAL MATTER A.1, Katarina Kloppe, 2026 Textilien; Garn; Schreibmaschinentinte; Permanentmarker Im Besitz der Künstlerin, Photo: Katharina Kloppe

Chapter 6 – My Legacy

How do we know all this about Paul? His original letters have been lost. But we have early copies, which are the oldest textual sources of the New Testament. They tell of journeys and theological debates. But which texts are missing? Who copied them, selected them and recognised them as part of the biblical text? And how do texts survive for centuries across different languages and cultures?

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Goldenes Büstenreliquiar des Hl. Apostel Paulus, 3. Viertel 11. Jahrhundert, Inv. Nr. E.2, ©St.-Paulus-Dom 2026, Domverwaltung, Photo: Stephan Kube, D-48268 Greven
Goldenes Büstenreliquiar des Hl. Apostel Paulus, 3. Viertel 11. Jahrhundert, Inv. Nr. E.2, ©St.-Paulus-Dom 2026, Domverwaltung, Photo: Stephan Kube, D-48268 Greven
RELIQUIENBÜSTE DES HL. PAULUS, um 1220 Nussbaumholz, gefasst Domschatz Münster, Inv.-Nr. DK.2024.42 (Dauerleihgabe im LWL-Museum für Kunst und Kultur, Münster), Photo: Hanna Neander
RELIQUIENBÜSTE DES HL. PAULUS, um 1220 Nussbaumholz, gefasst Domschatz Münster, Inv.-Nr. DK.2024.42 (Dauerleihgabe im LWL-Museum für Kunst und Kultur, Münster), Photo: Hanna Neander

CHAPTER 7 – ARRIVAL IN MÜNSTER

Münster Cathedral has an unusual patron saint. It is the only cathedral in Germany to be placed under the sole patronage of the Apostle Paul. The first recorded reference to this patronage dates back to the year 889. For that time, this choice was unusual. Only two bishoprics in the Christian world of that era had previously chosen Paul as their patron saint.

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Digital programmes

Audio and visual

Media Guide
Through the Exhibition

Entdecken Sie Paulus, seine Geschichte und ausgewählte Objekte aus dem Domschatz in neun kurzen Kapiteln. (D, E, NL)

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Digital

Digital Travel Journal
on Paul's Missionary Journeys

Begleiten Sie Paulus auf seinen (Missions-) Reisen durch das Römische Reich. Das Reisetagebuch finden Sie auch in der Ausstellung.

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Selected exhibits

@Marius Jacoby, Münster 2026

Münster

Paul's Head from St. Paul's Cathedral

St. Paul is the patron of the cathedral in Münster. It also bears his name: St.-Paulus-Dom. A typical way of depicting…

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GLASFRAGMENT MIT JUGENDLICHEM PAULUS, 5. Jahrhundert n. Chr., Glas/Schliffglas, Archäologisches Museum der Universität Münster, Inv.-Nr. 2476, © Archäologisches Museum der Universität Münster, Photo: Robert Dylka

Glass Fragment with a Young Paul

This shard is a rim fragment of an ancient round cut-glass bowl. Motifs are carved into the glass surface by grinding…

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Sturz des Paulus vor Damnaskus, Linker, innerer Altarflügel ehem. Hochaltars Gerhard Gröninger, Münster, 1619–1622, Münster, St.-Paulus-Dom, Photo: Stephan Kube, D-48268 Greven

Gerhard Gröninger (design and sculptural work, painted finish of the reliefs)

Fall of Paul on the Road to Damascus

This altar wing is normally located in the cathedral. It is part of the former high altar. Shown here is the left…

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PAULUS TADELT PETRUS, Angelica Kauffmann, nach Guido Reni, um 1776, Kupferstich, Domschatz Münster, Inv.-Nr. Gr.085, Photo: Dr. Michael Reuter

Angelica Kauffmann after Guido Reni

Paul rebukes Peter

The depiction shows Peter and Paul in conversation. Only at second glance does it become clear that they are in…

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O. T. (ANDRIES VAN EERVELT), Volker Hermes, 2024, Acryl, Edding und div. Graffitimarker auf Nessel, im Besitz des Künstlers

Volker Hermes

o. T. (Andries van Eervelt)

Paulus wird als Gefangener von Cäsarea nach Rom gebracht. Er weiß auf der Fahrt sein Schicksal in Gottes Händen. Auf…

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PHÖBE BEI PAULUS, Dietenberger Bibel, 1534 Bibelmuseum der Universität Münster, Dauerleihgabe

Phoebe with Paul

Phoebe is described in the Letter to the Romans as a deaconess and supporter of the early Christians in Corinth (Rom…

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Goldenes Büstenreliquiar des Hl. Apostel Paulus, 3. Viertel 11. Jahrhundert, Inv. Nr. E.2, ©St.-Paulus-Dom 2026, Domverwaltung, Photo: Stephan Kube, D-48268 Greven

Northwestern Germany

Golden Bust Reliquary of St. Paul

The bust of Paul is the oldest Paul reliquary in the cathedral. At the same time, it is the oldest surviving bust…

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RELIQUIENBÜSTE DES HL. PAULUS, um 1220 Nussbaumholz, gefasst Domschatz Münster, Inv.-Nr. DK.2024.42 (Dauerleihgabe im LWL-Museum für Kunst und Kultur, Münster), Photo: Hanna Neander

Reliquary Bust of St. Paul

This wooden bust of the saint was created roughly midway in time between the golden and the silver bust of St. Paul in…

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Accompanying Programme

BM5183, @ Bistum Münster, 2026

Guided tours

Public and private guided tours

Information on dates, bookings and languages
Register at paulus@bistum-muenster.de

Further information here

Funded by

  • Provinzial
  • Rudolf August Oetker Stiftung
  • Kunststiftung NRW
  • Renate König Stiftung
  • Paulus Stiftung
STURZ DES PAULUS VOR DAMASKUS, Linker, innerer Altarflügel ehem. Hochaltars Gerhard Gröninger | Münster, 1619–1622, Münster, St.-Paulus-Dom, Inv.-Nr. Do.Al.2, Photo: Stephan Kube, D-48268 Greven
STURZ DES PAULUS VOR DAMASKUS, Linker, innerer Altarflügel ehem. Hochaltars Gerhard Gröninger | Münster, 1619–1622, Münster, St.-Paulus-Dom, Inv.-Nr. Do.Al.2, Photo: Stephan Kube, D-48268 Greven